Tag Archives: April

New Music of March & April


The second of six installments focusing on the new music of 2017 and only a month late, which means I’m regressing!

My favorite album for the months of March and April was Spoon’s Hot Thoughts.  I am a believer that everyone has a band or singer they don’t listen to because of the lead singer’s voice.  I have heard this about Pearl Jam, Radiohead, LIVE, Cloud Nothings, etc.  For me that band has been Spoon.  Whenever I heard a Spoon song on the radio, I always dug what they were doing musically, just not Britt Daniel’s voice.  I have never been able to nail down what it is about his voice that does not resonate with my ears.

With Hot Thoughts I told myself I had to give it a listen, my first full length listen of a Spoon album.  I came to realize just how unique Spoon is; in all of my music listening I have not heard a band quite like them.  Their ability to shift from one sound to another within the context of their album is unlike anyone else in rock right now.  With each listen of this album I find something new to dig my teeth into.  I look forward to delving into the rest of their catalog.

Other albums that have sonically crossed through my earway in March and April:

  • Electric Guest – Plural – Los Angeles duo putting forth their own unique blend of pop, rock, disco, and soul. The singles I have heard of theirs on WEQX have always got my foot tapping, which includes lead single from this album Back For Me.  For some reason though, this album just didn’t do it for me.  While the album sounds great, the songs just don’t strike a chord with these ears of mine.
  • Father John Misty – Pure Comedy – the third album from the provocateur singer/songwriter in which he fully lays out the state of the world, both ours and his, in a surprisingly unnoticeable hour and fourteen minutes. Misty’s previous album, I Love You, Honeybear, was my favorite album of 2015 and I was very interested to see what Father John would come up with this time around.  Much like the new Japandroids album, I am not sure that I like this one better than his previous release, but it feels like the right album for him to release at the right time.  While previous albums had a more tongue in cheek, biographical feel, this album comes from a more melancholy place as Father John steps back and takes a look at the world around him.
  • The Feelies – In Between – I came across this album on a new release list and mistook their name for another band I had heard of, The Weepies. However, I am pleased with this mental lapse of mine.  The Feelies have a long and deep history in rock that I never knew of.  If you are an influence on R.E.M. you are a-okay in my book.  I have yet to explore their discography that starts in 1980, but am very much looking forward to it.  Due to a band hiatus, this is only their sixth studio release.  This is a very solid album with a laid back feel that encourages the listener to come closer and enjoy the intricacies of the music and the band that is closing in on forty years together.
  • Grandaddy – Last Place – I had never heard of Grandaddy until a friend mentioned that I should check out their new album, their first in a decade. I have no idea how these guys never appeared on my music radar, I feel like I really missed something.  Awash in lo-fi sounds, the album moves from a rocking beginning to a more melancholy, subdued sound.  Though I am late to the Grandaddy party, I am just glad that I was still able to get in.
  • Karen Elson – Double Roses – seven years removed from her debut, former model turned singer/songwriter Karen Elson returns with her sophomore album. Jack White, Elson’s ex-husband, had a hand in producing her first album as producer and engineer, along with enlisting his bandmates from his various ventures to help on the debut.  On this record it is hard not to listen and hear references to White throughout.  Elson’s heartbreak shines through as she laments over a love and opportunities lost.  I thoroughly enjoyed Elson’s debut album, as I do most albums touched by Jack White, so I wasn’t sure what to expect or what direction Elson might go in on this release.  I was pleasantly surprised that songwriting and production sound as precise as the first album.  Elson enlisted the help of Patrick Carney (the Black Keys & Jack White nemesis), Josh Tillman (aka Father John Misty), Pat Sansone (Wilco), and Laura Marling.  What really sets this album apart from its predecessor, for me at least, is the emotion in Elson’s lyrics and voice.  It hits a nerve that the listener cannot ignore and you can’t help but feel the pain seep through the speakers.
  • Nelly Furtado – The Ride – Furtado is back with her sixth studio album and her first in five years. I was a big fan of her first two albums, especially the second Folklore.  Admittedly, I was a little disappointed with her shift towards straight pop music, but I will never fault an artist for wanting to try something new.  On this new album, Furtado seems to be shooting to meld her two different musical styles and for the most part it pays off.  Though there might not be anything as catchy or popular as Promiscuous, there are still songs that stick in your earhole after listening, such as Sticks and Stones.
  • Pallbearer – Heartless – I don’t typically listen to a lot of metal, but when I do, I really like it when it sounds like Pallbearer. This the third album from the Little Rock, Arkansas quartet is an hour long epic over seven songs of persistently attacking riffs, thunderous drums and bass, and lead singer Brett Campbell’s captivating voice.  If you are any type of fan of metal, put this album at the top of your must listen list and Pallbearer is a band to keep an eye on in the future.
  • Pontiak – Dialectic of Ignorance – ninth studio album from Van, Jennings, and Lain, the Carney brothers from Virginia. Offering up their blend of heavy, melodic psych rock.  On this endeavor, the shortest song comes in a shade under four minutes and thirty seconds, as the brothers take the listener on an eight song voyage through the sludge, and I mean that in the most complimentary way, of their sound, with three part harmony guiding the way.  For any hard/psych rock aficionados this band is a must listen.
  • Priests – Nothing Feels Natural – first full length album from the Washington DC quartet known for their post punk raucous sound. I was told to check this band out by the proprietor of Pint Sized (go visit their shops!) and I am glad I did.  Though not familiar with their first EP to see how the music has differed, if at all, I was drawn in by the rowdiness of the songs and their ability to shift gears and dynamics.  Listening to this album reminds me of Sonic Youth in their heyday.

March & April Music Awesomeness


Where did the month of April go?  It seemed to slip away from me.  Before I knew it, the month was half over and I had not written a blog about the new music I listened to in March.  So I scrapped the idea of a March blog and decided to do a two month music spectacular!  Though there isn’t nearly as much new music on this list as one would think; some new releases I listened to in March really ate up a lot of my listening time and are still prominently placed atop my listening list.

Over the past two months I don’t have an album that was my favorite, but all of the albums I listened to in March are easily my favorites of the year so far.  Just a lot of solid releases that I keep coming back to on an almost daily basis and most likely I will keep coming back to these albums as the year trudges on.  So without further ado:

  • Heron Oblivion – Heron Oblivion – described as psychedelic folk-rock, which admittedly is a genre I know very little about; this band and album comes across as something far more potent than any folk band would think of putting out. This is their debut album with members from a handful of other psych folk-rock bands.  Meg Baird is the singer and drummer, providing both an angelic voice and a steady backbeat for guitarists Noel von Harmonson and Charlie Saufley to showcase their playing abilities, which is typically bouncing solos off of one another while bassist Evan Miller locks in with Baird to provide a powerful, steady groove.  These four combined make a very moody, dynamic album that provides a fantastic listen and I’m guessing a great live show.
  • Iggy Pop – Post Pop Depression – I have always known who Iggy Pop is and what his contributions to the punk and for that matter music scene in general, have meant. Yet I have never delved into his catalog as one should.  When I read that he was collaborating with Josh Homme (Queens of the Stone Ages), I knew I had to listen.  Rounding out the album with Dean Freitas (Queens of the Stone Ages) and Matt Helders (Arctic Monkeys), the trio provides a lush sonic soundscape that allows Iggy Pop to move freely lyrically and tonally.  I found the album to be much more subdued than anticipated and I think it permits for a more retrospective look back at Iggy Pop’s career.  If this is indeed Pop’s final album, it is one hell of a way to go out.
  • Santigold – 99 Cents – an easily accessible, fun, and playful listen that has pop hooks littered throughout the album. Versatile song writing that weaves different genres of music together for a very cohesive sounding record.
  • White Denim – Stiff – the Austin, Texas based band is back with their sixth studio album and it is a doozy. The nine song album is over before you know it as the energetic songs flow seamlessly from one track to another.  Their intricate playing keeping the listeners attention so that you don’t miss the nuance of the notes being put forth.

Other things that have come across my sonic radar this month:

As I said before, I didn’t listen to much else other than what’s above, but there was time to listen to Prince.  A genuine, one of a kind artist that will certainly be missed, but whose legacy will carry on for future generations to appreciate.