Music 2017


My 2017 year end music blog will be short and sweet as I really dropped the ball on writing about the new music I listened to this year.  It seems only appropriate that I’m finally doing my 2017 blog the third day in 2018.  A lot of personal things happened this year, all good, that ate up a lot of my time and didn’t allow me to listen to as much as I would have liked or listen to the new music as intently as normal.  So I’m hoping to come back with a vengeance in 2018.  Hopefully to an annoying degree.

There was a ton of amazing music released this year by some immensely talented folk that I consider to be at the top or near the top of their craft.  So within the list of albums that I listened to, I will mark the albums that really stood out for me and feel they are well worth your time in checking out.  Personally, my two favorite albums of the year (I couldn’t choose just one) were the new albums from Spoon and St. Vincent.  Just top notch.  As always, there will be a link to my Spotify playlist with a track from each album I checked out:

Perry’s Playlist 2017

  • Allison Crutchfield – Tourist in This Town
  • alt-J – RELAXER *
  • Arbouretum – Song of the Rose
  • Arcade Fire – Everything Now *
  • Beck –  Colors
  • Benjamin Booker – Witness
  • Big Thief – Capacity *
  • The Black Angels – Death Song
  • Black Lips – Satan’s Graffiti or God’s Art?
  • Blond Ambition – Slow All Over
  • The Builders and The Butchers – The Spark
  • Bully – Losing
  • Charly Bliss – Guppy
  • Chicano Batman – Freedom Is Free
  • Cloud Nothings – Life Without Sound
  • Courtney Barnett, Kurt Vile – Lotta Sea Lice *
  • Delicate Steve – This Is Steve
  • Electric Guest – Plural
  • Father John Misty – Pure Comedy *
  • The Feelies – In Between
  • Fleet Foxes – Crack-Up
  • Foo Fighters – Concrete and Gold
  • Grandaddy – Last Place
  • Grizzly Bear – Painted Ruins *
  • Japandroids – Near To The Wild Heart Of Life *
  • Karen Elson – Double Roses *
  • Kendrick Lamar – DAMN. *
  • Lana Del Rey – Lust For Life
  • little hurricane – Same Sun Same Moon
  • Mac DeMarco – This Old Dog
  • Margo Price – All American Made *
  • The Molochs – America’s Velvet Glory
  • The National – Sleep Well Beast *
  • Nelly Furtado – The Ride
  • The Orwells – Terrible Human Beings
  • The Pack a.d. – Dollhouse
  • Pallbearer – Heartless *
  • Perfume Genius – No Shape
  • Phoenix – Ti Amo
  • Pontiak – Dialectic of Ignorance
  • Portugal. The Man – Woodstock
  • Priests – Nothing Feels Natural
  • Queens of the Stone Age – Villains *
  • Robert Plant – Carry Fire
  • Ron Gallo – HEAVY META
  • Royal Blood – How Did We Get So Dark?
  • Son Volt – Notes of Blue
  • Spoon – Hot Thoughts *
  • St. Vincent – MASSEDUCTION *
  • Strand of Oaks – Hard Love
  • Tinariwen – Elwan
  • The War on Drugs – A Deeper Understanding *
  • Wolf Alice – Visions Of A Life *
  • The xx – I See You

New Music of March & April


The second of six installments focusing on the new music of 2017 and only a month late, which means I’m regressing!

My favorite album for the months of March and April was Spoon’s Hot Thoughts.  I am a believer that everyone has a band or singer they don’t listen to because of the lead singer’s voice.  I have heard this about Pearl Jam, Radiohead, LIVE, Cloud Nothings, etc.  For me that band has been Spoon.  Whenever I heard a Spoon song on the radio, I always dug what they were doing musically, just not Britt Daniel’s voice.  I have never been able to nail down what it is about his voice that does not resonate with my ears.

With Hot Thoughts I told myself I had to give it a listen, my first full length listen of a Spoon album.  I came to realize just how unique Spoon is; in all of my music listening I have not heard a band quite like them.  Their ability to shift from one sound to another within the context of their album is unlike anyone else in rock right now.  With each listen of this album I find something new to dig my teeth into.  I look forward to delving into the rest of their catalog.

Other albums that have sonically crossed through my earway in March and April:

  • Electric Guest – Plural – Los Angeles duo putting forth their own unique blend of pop, rock, disco, and soul. The singles I have heard of theirs on WEQX have always got my foot tapping, which includes lead single from this album Back For Me.  For some reason though, this album just didn’t do it for me.  While the album sounds great, the songs just don’t strike a chord with these ears of mine.
  • Father John Misty – Pure Comedy – the third album from the provocateur singer/songwriter in which he fully lays out the state of the world, both ours and his, in a surprisingly unnoticeable hour and fourteen minutes. Misty’s previous album, I Love You, Honeybear, was my favorite album of 2015 and I was very interested to see what Father John would come up with this time around.  Much like the new Japandroids album, I am not sure that I like this one better than his previous release, but it feels like the right album for him to release at the right time.  While previous albums had a more tongue in cheek, biographical feel, this album comes from a more melancholy place as Father John steps back and takes a look at the world around him.
  • The Feelies – In Between – I came across this album on a new release list and mistook their name for another band I had heard of, The Weepies. However, I am pleased with this mental lapse of mine.  The Feelies have a long and deep history in rock that I never knew of.  If you are an influence on R.E.M. you are a-okay in my book.  I have yet to explore their discography that starts in 1980, but am very much looking forward to it.  Due to a band hiatus, this is only their sixth studio release.  This is a very solid album with a laid back feel that encourages the listener to come closer and enjoy the intricacies of the music and the band that is closing in on forty years together.
  • Grandaddy – Last Place – I had never heard of Grandaddy until a friend mentioned that I should check out their new album, their first in a decade. I have no idea how these guys never appeared on my music radar, I feel like I really missed something.  Awash in lo-fi sounds, the album moves from a rocking beginning to a more melancholy, subdued sound.  Though I am late to the Grandaddy party, I am just glad that I was still able to get in.
  • Karen Elson – Double Roses – seven years removed from her debut, former model turned singer/songwriter Karen Elson returns with her sophomore album. Jack White, Elson’s ex-husband, had a hand in producing her first album as producer and engineer, along with enlisting his bandmates from his various ventures to help on the debut.  On this record it is hard not to listen and hear references to White throughout.  Elson’s heartbreak shines through as she laments over a love and opportunities lost.  I thoroughly enjoyed Elson’s debut album, as I do most albums touched by Jack White, so I wasn’t sure what to expect or what direction Elson might go in on this release.  I was pleasantly surprised that songwriting and production sound as precise as the first album.  Elson enlisted the help of Patrick Carney (the Black Keys & Jack White nemesis), Josh Tillman (aka Father John Misty), Pat Sansone (Wilco), and Laura Marling.  What really sets this album apart from its predecessor, for me at least, is the emotion in Elson’s lyrics and voice.  It hits a nerve that the listener cannot ignore and you can’t help but feel the pain seep through the speakers.
  • Nelly Furtado – The Ride – Furtado is back with her sixth studio album and her first in five years. I was a big fan of her first two albums, especially the second Folklore.  Admittedly, I was a little disappointed with her shift towards straight pop music, but I will never fault an artist for wanting to try something new.  On this new album, Furtado seems to be shooting to meld her two different musical styles and for the most part it pays off.  Though there might not be anything as catchy or popular as Promiscuous, there are still songs that stick in your earhole after listening, such as Sticks and Stones.
  • Pallbearer – Heartless – I don’t typically listen to a lot of metal, but when I do, I really like it when it sounds like Pallbearer. This the third album from the Little Rock, Arkansas quartet is an hour long epic over seven songs of persistently attacking riffs, thunderous drums and bass, and lead singer Brett Campbell’s captivating voice.  If you are any type of fan of metal, put this album at the top of your must listen list and Pallbearer is a band to keep an eye on in the future.
  • Pontiak – Dialectic of Ignorance – ninth studio album from Van, Jennings, and Lain, the Carney brothers from Virginia. Offering up their blend of heavy, melodic psych rock.  On this endeavor, the shortest song comes in a shade under four minutes and thirty seconds, as the brothers take the listener on an eight song voyage through the sludge, and I mean that in the most complimentary way, of their sound, with three part harmony guiding the way.  For any hard/psych rock aficionados this band is a must listen.
  • Priests – Nothing Feels Natural – first full length album from the Washington DC quartet known for their post punk raucous sound. I was told to check this band out by the proprietor of Pint Sized (go visit their shops!) and I am glad I did.  Though not familiar with their first EP to see how the music has differed, if at all, I was drawn in by the rowdiness of the songs and their ability to shift gears and dynamics.  Listening to this album reminds me of Sonic Youth in their heyday.

The Music of January & February


Here is the first in my six part series of new music in 2017, obviously very late; which is my modus operandi.  I decided to whittle it down from a blog post every month, to doing one every two months.  Even though my posting fell by the wayside last year, I am still determined to become more prolific in my music posting.  I just need to find the right balance of life, work, music, writing, etc.  One of these days I’ll get it down.  Until then, on to the music!

2017 is shaping up to be a killer year of music.  Some much anticipated releases from artists I enjoy are slated for this year, including Japandroids, Father John Misty, Alt-J, Future Islands, Pond, Mac DeMarco, Gorillaz, Arcade Fire, St. Vincent, My Morning Jacket, Modest Mouse, and Queens of the Stone Age just to name a few.  Hell, a release from half of those bands would make it a great year; all of them together could make it a fantastic year.

My favorite album of the first two months of this year goes to Japandroids’ Near To The Wild Heart Of Life.  This was the highly anticipated, five years in the making, follow up to Celebration Rock.  I was quite curious to see what Japandroids would do on this record.  Would they stay with the same sound?  Would they venture out of their tried and true two piece garage rock that blasts you upside the head?  The answer lies somewhere in between.  While sticking with the fundamentals of what works best for them, Japandroids also dabbled in expanding their sonic landscape by adding a few synthesizers and acoustic guitars.

While I keep waffling about which Japandroids album I like better, I strongly believe that this was the exact album that they needed to make.  It stays true to their original sound while venturing outside of that box and exploring new territories that might serve them well on future releases.  It shows that they’re not afraid to go away from what garnered them so much attention to begin with.

Other albums that have sonically crossed through my earway in January and February:

  • Allison Crutchfield – Tourist in This Town – solo debut from the Alabama born musician who opines about losing her former band and boyfriend in the typical moods that accompany a jilted lover. Through all the despair, a positive light streams its way through the music and lyrics to give the listener the sense of hope that Allison Crutchfield is feeling.
  • Cloud Nothings – Life Without Sound – fifth studio album from the lo-fi Cleveland outfit that tones down some of the sharp edges of their previous releases. A minor departure from their previous sound doesn’t necessarily mean a change of pace; a slightly more mature sound is played with the ferocity that Cloud Nothings is known for.  I really enjoyed this album and the direction that Cloud Nothings veer towards.  Though the last two albums are killer, I liked the slight switch up, while still maintaining their distinct sound.
  • Delicate Steve – This Is Steve – the third album from songwriter and guitar player Steve Marion, under his musical pseudonym Delicate Steve. I wasn’t sure what I was in for when I first went to play this album; what drew me to it was the artist’s name and album cover.  So sometimes I choose music to listen to like I pick out wine; if the name and artwork capture me, I am in.  What I came upon was a pleasant instrumental album with contagious hooks sung to me by Delicate Steve’s guitar.
  • The Molochs – America’s Velvet Glory – debut album from the Los Angeles trio, led by lead singer and songwriter Lucas Fitzsimmons. A collection of songs that combine the sound of 60’s garage rock, a sprinkle of folk, and a dash of the Velvet Underground.
  • Son Volt – Notes of Blue­ – eighth album from the Jay Farrar brainchild Son Volt. This album builds on much of what Son Volt, and for that matter Farrar, are known for; well-crafted songs both musically and lyrically, with Farrar’s reflective lyrics.
  • Tinariwen – Elwan – African refugee band hailing from northern Mali are back with their seventh studio album. For this album and the one prior, Tinariwen had to record in exile due to ongoing conflict plaguing their country.  I was introduced to Tinariwen on their album Tassili, which was an instore play at Barnes & Noble when I was working there.  I was immediately enthralled with their sound and though I don’t quite understand what is being sung, it doesn’t matter, the music is just that good.
  • the XX – I See You – third album from the indie pop group hailing from London. Five years since their last album, the XX have returned with a moody, atmospheric vibe, but push their sound forward with a fuller sound than was seen on the first two releases.  I had mostly considered the XX as mood music to be heard in the background, but on this album there is much more to sink your teeth into.

Music 2016


I have been doing this year end music blog over the past few years, this year I decided to switch things up a little and give myself the challenge of writing a new music blog for every month.  Needless to say, I have lived up to my slacker stoner stereotype and the monthly/bi-monthly music blog fell by the wayside.

I had grand ambitions of doing a big year end blog where I talked about all the bands I listened to and failed to write a blog for.  However, with the holidays along with family and friends from far and near around, the grand ambition floundered and died.  I think I have come up with a method for staying on top of my music writing for the year 2017, so we’ll see how it goes.

Still, I will give you my favorite album of the year and the list of albums I listened to along with the Spotify playlist, I hope you enjoy.

My favorite album of the year was Sturgill Simpson’s A Sailor’s Guide to Earth.  A country singer who you would be hard pressed to find on any modern country station.  This is the follow up to his 2014 critically acclaimed album Metamodern Sounds in Country Music.

What I love about this album is the way all the songs weave together to form a cohesive story that turns this album into a must listen.  Simpson pens a letter to his son using an array of musical stylings from his arsenal.  Whether it’s the southern rocker “Brace For Impact (Live A Little)”, straight country “Sea Stories”, the soul bearing “Oh Sarah”, or the out of left field cover of Nirvana’s “In Bloom”, there is something for everyone on this album.  Interspersing horns courtesy of the Dap-Kings throughout the album adds an ear pleasing texture to these well written tunes.

Other albums from 2016 that have tickled my eardrum (along with a link to a Spotify playlist with a song from each album that stood out):

Perry’s Playlist 2016

Julune Jamboree
May’s More Than Casually Late Music Blog
March & April Music Awesomeness
February Music
January Jams

  • Allah-Las – Calico Review
  • Avers – Omega/Whatever
  • Band of Skulls – By Default
  • The Beatles – Live At The Hollywood Bowl
  • Benji Hughes – Songs in the Key of Animals
  • Black Mountain – IV
  • Broods – Conscious
  • Brothers Osborne – Pawn Shop
  • Car Seat Headrest – Teens Of Denial
  • Chairlift – Moth
  • Childish Gambino – “Awaken, My Love!”
  • David Bowie – Blackstar
  • Fitz and The Tantrums – Fitz and The Tantrums
  • Frank Ocean – Blonde
  • The Frights – You Are Going to Hate This
  • Fruit Bats – Absolute Loser
  • Glass Animals – How To Be A Human Being
  • Hanni El Khatib – Savage Times Vol. 1-5
  • Hayes Carll – Lovers and Leavers
  • Heron Oblivion – Heron Oblivion
  • Holy Fuck – Congrats
  • Iggy Pop – Post Pop Depression
  • Jack White – Jack White Acoustic Recordings
  • Jagwar Ma – Every Now & Then
  • JEFF The Brotherhood – Zone
  • Jim James – Eternally Even
  • The Joy Formidable – Hitch
  • Joywave – SWISH
  • Kanye West – The Life Of Pablo
  • Kendrick Lamar – untitled unmastered
  • The Kills – Ash & Ice
  • King Gizzard & The Lizard Wizard – Nonagon Infinity
  • KING MUD – Victory Motel Sessions
  • Lera Lynn – Resistor
  • Lewis Del Mar – Lewis Del Mar
  • The Lumineers – Cleopatra
  • M83 – Junk
  • Margo Price – Midwest Farmer’s Daughter
  • Miike Snow – iii
  • Mudcrutch – 2
  • Nick Cave & The Bad Seeds – Skeleton Tree
  • of Montreal – Innocence Reaches
  • Prophets of Rage – The Party’s Over
  • Radiohead – A Moon Shaped Pool
  • The Record Company – Give It Back To You
  • Red Hot Chili Peppers – The Getaway
  • Santigold – 99 Cents
  • Savages – Adore Life
  • Seratones – Get Gone
  • Shovels & Rope – Little Seeds
  • Sturgill Simpson – A Sailor’s Guide to Earth
  • Sunflower Bean – Human Ceremony
  • Tortoise – The Catastrophist
  • Unloved – Guilty of Love
  • Warpaint – Heads Up
  • The Weeknd – Starboy
  • White Denim – Stiff
  • White Lung – Paradise
  • Whitney – Light Upon the Lake
  • Wild Belle – Dreamland
  • Wild Nothing – Life of Pause
  • Woods – City Sun Eater in the River of Light
  • Young the Giant – Home of the Strange
  • Yuck – Stranger Things

Stoop Rant

This past Friday night I had one of the strangest encounters of my ten years of living in Albany.  Coming from the mountains, folks tend to have a dose of skepticism when it comes to city dwellers.  Whether its city people are rude, antagonizing, violent, or just plain bitches; there is always the belief that the worst is going to happen.  Yet in the decade I have lived here I haven’t had a problem with anyone.  Then Friday night came around.

Between work and moving, I had been right out straight for almost three weeks in a row.  I was looking forward to a weekend where I had nothing to do but set up the apartment and watch college football; and it was a three day weekend at that!  After stopping at Lowe’s and Target on the way home from work, just so I wouldn’t have to leave the apartment if I didn’t feel like it, my fiancée and I returned home to find a parking spot right in front of our new apartment.  What luck, given we had loaded her vehicle with boxes of things for me to put together for the apartment.

After settling the vehicle into its spot, I hopped out of the care prepared to unload and finally relax.  As I got out, there was a man and a woman sitting on the stoop of the building two doors away from ours.  The woman I had not seen before, the man had been perched on these steps over the course of the past few days as we were moving; usually with an acoustic guitar, attempting to serenade the people that walked by.  He looks like the bastard love child of James Lipton and Stacy Keach; though I would deem that as an insult to the two of them.  As I got out and turned to head for the rear of the vehicle, paying no mind to the two, the woman chimed in that if I moved forward or backward a little more, another car would be able to fit.  Since I have lived in Center Square for the eight of the ten years I have resided in Albany, I consider myself to be a pretty accurate judge of what will or will not fit in a parking spot.  After hearing her and deciding her special recognition dubious at best, I told her that I didn’t think it would matter if I moved one way or another.  The front of the vehicle was about a foot and a half away from a driveway and the rear of the vehicle was about five to six feet away from the car behind us.  It should be noted that the car behind us was about five to six feet in front of the truck behind it, not helping matters in the amount of cars that would be able to fit.

This was when the guy piped up that maybe next time I would be the one who was gypped out of a parking spot, then what?  Having grown accustomed to city parking, I am always prepared to not find a spot and having to deal with walking further than anticipated.  Also, I don’t mind walking.  Good exercise.  So my retort was that I would just park somewhere else.  I have no idea what the guy thought I would say.  Perhaps he thought he just dropped a truth bomb on me and with this epiphany I would run over and shower him with praise while at the same time wondering aloud where had he been all my life with his profound insight and wisdom.  Needless to say, he didn’t appreciate the matter of fact answer I gave and abruptly shouted out, “you just don’t get it, do you?”  What the fuck does that even mean?  Get what?  Having been completely caught off guard by this exchange, having never dealt with anything like this in my life, my only reply was, “I’ve only lived here for ten years, so you’re right, I don’t get it.”  My fiancée and I hopped back into the vehicle and moved it to a spot on the street our apartment sits on the corner of.

After we moved everything inside, I paced and paced.  Teeming with anger and frustration, “you just don’t get it” playing on a loop in my head.  Who the hell is this guy to be calling out how people are parked?  Is he parking enforcement for this thirty foot of curb?  Plus, this guy watched us move into this apartment a week ago, was this his alpha dog move?  Is he king of the stoop?  I snatched a beer from the fridge and proceeded to head out to the patio to puff on a cigar and drink.  This should calm my nerves.  But as I railed on about what I should do, my fiancée reminded me of what I tell her, kill them with kindness or just ignore them, it’s not worth it; not worth the frustration.  Hopefully this mantra won’t slip my mind the next time I see him parking.

Julune Jamboree

Perry Ponds


A constant refrain I have heard recently is that summer has gone by way too fast.  Granted, this is uttered every year, especially in the northeast where winter always seems to be lurking around the corner.  So soaking up as much sun as one can is always a must and it never feels like enough.  However, this summer has flown by.  I can’t believe that we are almost half way through August and I have yet to post a music blog for the summer months.  Between running the roads across the state for different shindigs and going on vacation (which, by the way, definitely check out Pittsburgh if you haven’t), I couldn’t find the time to write a blog for both June and July.  So here is another two month into one music blog, the Julune Jamboree.

  • Broods – Conscious – sophomore album from the New Zealand siblings that takes…

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Julune Jamboree


A constant refrain I have heard recently is that summer has gone by way too fast.  Granted, this is uttered every year, especially in the northeast where winter always seems to be lurking around the corner.  So soaking up as much sun as one can is always a must and it never feels like enough.  However, this summer has flown by.  I can’t believe that we are almost half way through August and I have yet to post a music blog for the summer months.  Between running the roads across the state for different shindigs and going on vacation (which, by the way, definitely check out Pittsburgh if you haven’t), I couldn’t find the time to write a blog for both June and July.  So here is another two month into one music blog, the Julune Jamboree.

  • Broods – Conscious – sophomore album from the New Zealand siblings that takes their electro-indie sound and aims it for the masses. More upbeat than its predecessor, the Notts sound more confident in their songwriting and it shows on this album.
  • Band of Skulls – By Default – English band back with their fourth album of gritty sounding, bluesy rock. The sound is familiar with crunching, in your face guitars with heavy, driving bass and drums.  Both good and bad as it is the sound you know, but doesn’t do enough to differentiate itself from the bands three previous efforts.
  • Car Seat Headrest – Teens Of Denial – prolific songwriter (this is the seventh album in the past three years) Will Toledo’s newest album, with the full backing of indie label Matador Records, brings seventy minutes of well crafted, lo-fi garage rock to your listening ears. The album tells the trials and tribulations of Joe, an adolescent trying to find his way through the world.  This has been one of my favorite albums of the year so far.
  • Fitz and The Tantrums – Fitz and The Tantrums – third album from the Los Angeles band as they shed their retro 60’s, Motown vibe for a sleeker, dancier sound. While I really enjoy the first single, “HandClap”, the rest of the album just did not capture me.  Perhaps I need to give it another, more intent listen.  Their first two albums had me hooked after my first listen through, the sound undeniably infectious.  I am a firm believer that bands do need to switch up their sound from album to album, not necessarily a complete overhaul, but little tweaks as well.  This one just doesn’t do it for me.
  • Joywave – Swish – named after one of Kanye’s probable album titles; Joywave throws everyone for a loop by repeating the song “Destruction” off their first album nine times, with differing song titles to make a message. This all leads up to the solo original song on the “album”, “Life in a Bubble I Blew”.  It feels cheap to be including this on my list of albums, but I’m doing it anyways.
  • The Kills – Ash & Ice – fifth album from the bluesy, garage rock duo, which sounds familiar, but altogether different from their four previous records. I will admit that this album did not suck me in as much as the prior albums.  I do think that the first two singles “Siberian Nights” and “Doing It to Death” are top notch and rank highly with the rest of their work; just the rest of the album didn’t capture my attention.
  • M83 – Junk – seventh studio album from the French artist. When I first heard “Midnight City” on WEQX, I thought it a decent song and it lead me to checking out the album Hurry Up, We’re Dreaming.  Little did I know that I would be sucked in my M83’s mesh of shoegaze, ambient sounds, and textured pop sensibilities.  Junk is no different.  Just put it on and get lost in the sounds.
  • Red Hot Chili Peppers – The Getaway – no slight to Josh Klinghoffer, but to me, nothing will compare to John Frusciante being the guitar player for the Peppers. Just a personal preference.  But on The Getaway, Klinghoffer’s second album with the band, it sounds as if Klinghoffer and the rest of the band have found their groove as a cohesive unit.  While still maintaining the Chili Pepper sound, there are songs that seem to have Klinghoffer’s influence; with disco and psychedelic vibes sprinkled throughout the album.  I really enjoyed this album, I wasn’t sure what to expect this time around, but this album shows that there is plenty of fuel left in the tank and a few tricks still hidden up their sleeves (or socks).

Other things that have come across my sonic radar this month:

In my traversing across New York and Pennsylvania during June and July, I found myself listening to some albums that have come out, and were on my year end listening list, over the past few years.

  • Courtney Barnett – Sometimes I Sit And Think, And Sometimes I Just Sit…
  • Jack White – Lazzaretto
  • Lana Del Rey – Ultraviolence
  • MS MR – How Does It Feel
  • Vincent ­– St. Vincent
  • Tame Impala – Currents
  • The War on Drugs – Lost In The Dream
  • Warpaint – Warpaint